Guitar and 432 Hz Integral Music
The frequency of Schumann is a basic vibration that since the dawn of time surrounds everything and everyone on Earth. Being able to connect Beethoven’s “Romance in F Major” to this frequency can mean realizing something truly relaxing and beneficial.
The frequency of Schumann is a basic vibration that surrounds everything and everyone on Earth, since the dawn of time.… Continue Reading
Making Integral 432 Hz Music required attention so that every detail was based on the mathematics of life. The tones and modes of the music are based on special intonations…
The Integral 432 Hz Music considers all the tonics to be important, not just the note A at 432 Hz. For this version of the known Chorale BWV 140 by J.S. Bach, I chose the unusual tonality of F # at 360 Hz,
Original composition for guitar and orchestra tuned to 432 Hz, with a special tuning difficult to reproduce with orchestral instruments.
Rare arrangement of the Andante from the Mozart Concerto for Horn and Orchestra K495, adapted for classical guitar and orchestra, in a version between Classical and New Age,
“Gymnopédie N. 1” is a composition by Erik Satie that continues my work to integral 432 Hz music.
“Dio lo sa” is a song composed by Enzo Crotti, recorded 432 Hz with tuning. The lyrics of this song tell of the delicate problem of solidarity and refugees.
“Riflessi sul Reale” is a song sung by Enzo Crotti, recorded with tuning to 432 Hz. This tuning, used for this recording is temperate, to give the most recognizable sound and concentrate listening to the lyric.
“Aria d’Ohm” is a meditative song with a special tuning difficult to reproduce with orchestral instruments. I call this way to produce music: “Integral 432 Hz Music”.
