The Integral 432 Hz Music considers all the tonics to be important, not just the note A at 432 Hz. For this version of the known Chorale BWV 140 by J.S. Bach, I chose the unusual tonality of F # at 360 Hz,
Rare arrangement of the Andante from the Mozart Concerto for Horn and Orchestra K495, adapted for classical guitar and orchestra, in a version between Classical and New Age,
“Aria d’Ohm” is a meditative song with a special tuning difficult to reproduce with orchestral instruments. I call this way to produce music: “Integral 432 Hz Music”.
“Pavane Op. 50” is a composition by Fauré wich music is composed and recorded so that the frequencies are as natural as possible, thanks to the knowledge of mathematics of life that is explained in the last book I have published: “Integral 432 Hz Music”.
